l*y
发帖数: 21010 | 1 GH: Okay, let’s break them down a bit. Can you give an explanation about
the female figure within your works? They all have similar appearances.
LJJ: First of all, I loved to draw since I was young. I loved to draw people
and their facial exprerssions and impressions in particular... and later I
realized that these two characteristics make the person as who they are. So
I thought that I should draw the people’s faces neutrally and without any
expressions, so that they are not biased in any way. In other words, not a
portrayal of a persona that is seen from acertain perspective, but something
that is too normal. I hate to incorporate any type of (hyper-) realism just
because they are so finely described. And the woman in my works, she used
to have hair in my earlier works, but at one point I completely rid her of
it. I’ve decided not to depict what’s not needed; hair effects greatly on
how a person looks, especially when coordinated with a cerain type of
clothing. Moreover, the intentions, character, and the situation are all
differently perceived, sometimes unimaginably strange. Stockings, however,
possess a certain degree of elaboratedness and is also double-sided. By that
, I mean it strongly and tightly encloses whatever goes inside, yet it is so
fragile. I remember the feeling of my first stockings, which was when I was
around 8 years old, when I had visited my nanny with my mother. I told her
that I was cold, and my mother gave me her stockings to wear. There, I felt
a sudden feeling of closeness and warmth altogether at once, and it was very
strange, yet so comfortable. This type of feeling is very relevant to what
I aim to show in my works. In other words, painting stockings is needed for
the persona, because it is the minimal safety device, yet so fragile.
GH: The elaborate as well as the double-sided aspect felt from the stockings
is quite impressive. Then can you tell us about the ‘water’ in your works
?
LJJ: Well, the water is a representation of my mind. In other words, I
believe that my focus ― my feelings, or the damaged, dark memories ―
possess the philosophical characters of water. Water, in general, possesses
meanings such as circulating freely as the source of life. However, when you
think about the standing waters, it gets different. Water decays too, you
know; for example, water goes into everything we eat. One time, I would make
soup and leave it for a few hours, and it went bad. The food waste that we
pile up in bags or buckets ― needless to say, smelling terrible ― and
throw out, are the very food that people were happily eating at their tables
. Anyways, this decaying occurs because of water. Things that we have to
throw out immediately go bad without hesitation because almost every
decayable thing possesses water. This character of water is very closely
related to the shady and damp side of my mind, where those types of memories
and feelings exist. Maybe it is like the water, or, say, tears, that oozes
out of a certain feeling, standing and decayed. But water, if it is
controlled, flows or circulates in another way that it does not intend to.
It sometimes flows the other way... projecting a totally different viewpoint
. This is why there are scene of watering with hoses, filling up buckets;
and in contrary, the water is dried with the hair dryer, burning within
water, etc. In any way, water could represent the complex, intertwined
feelings and emotions. | l*y
发帖数: 21010 | 2 她的描述跟我的感觉很一致
people
I
So
【在 l*y 的大作中提到】
: GH: Okay, let’s break them down a bit. Can you give an explanation about
: the female figure within your works? They all have similar appearances.
: LJJ: First of all, I loved to draw since I was young. I loved to draw people
: and their facial exprerssions and impressions in particular... and later I
: realized that these two characteristics make the person as who they are. So
: I thought that I should draw the people’s faces neutrally and without any
: expressions, so that they are not biased in any way. In other words, not a
: portrayal of a persona that is seen from acertain perspective, but something
: that is too normal. I hate to incorporate any type of (hyper-) realism just
: because they are so finely described. And the woman in my works, she used
| Q****n
发帖数: 1351 | 3 hehe.
I see the stocking effect:-)
【在 l*y 的大作中提到】
: 她的描述跟我的感觉很一致
:
: people
: I
: So
| l*y
发帖数: 21010 | 4 what??
【在 Q****n 的大作中提到】
: hehe.
: I see the stocking effect:-)
| Q****n
发帖数: 1351 | 5 是您以前自己说的穿丝袜，不是吗？
要是我记错了，万分抱歉。
【在 l*y 的大作中提到】
: what??
| l*y
发帖数: 21010 | 6 I mean what's the stocking effect you were talking about
【在 Q****n 的大作中提到】
: 是您以前自己说的穿丝袜，不是吗？
: 要是我记错了，万分抱歉。
| Q****n
发帖数: 1351 | 7 文章里不是说了吗？
我以为这就是您同意他的诸多观点之一呢
There, I felt a sudden feeling of closeness and warmth altogether at once,
and it was very strange, yet so comfortable. This type of feeling is very
relevant to what I aim to show in my works.
【在 l*y 的大作中提到】
: I mean what's the stocking effect you were talking about
| B****n
发帖数: 11290 | 8 她股票漲了
: I see the stocking effect:-)
【在 l*y 的大作中提到】
: what??
| l*y
发帖数: 21010 | 9 我非常同意。你这么说我好像是觉得我的音乐里确实也有这种感觉。
你很敏锐！
,
【在 Q****n 的大作中提到】
: 文章里不是说了吗？
: 我以为这就是您同意他的诸多观点之一呢
: There, I felt a sudden feeling of closeness and warmth altogether at once,
: and it was very strange, yet so comfortable. This type of feeling is very
: relevant to what I aim to show in my works.
| Q****n
发帖数: 1351 | 10 我对音乐实在迟钝。
美女穿丝袜，我喜欢。自己穿，big No No。
【在 l*y 的大作中提到】
: 我非常同意。你这么说我好像是觉得我的音乐里确实也有这种感觉。
: 你很敏锐！
:
: ,
| l*y
发帖数: 21010 | 11 ！！
我总是把人们想象得很敏锐。
【在 Q****n 的大作中提到】
: 我对音乐实在迟钝。
: 美女穿丝袜，我喜欢。自己穿，big No No。
|
|
